GUIDELINES:
SUBMISSIONS FOR THE ROYAL PHOTOGRAPHIC SOCIETY LICENTIATE DISTINCTION IN PHOTO
HARMONY
1. Overview
The Royal
Photographic Society (RPS) recognises the ability of members by the award of
Distinctions. These are Licentiateship (LRPS), Associateship (ARPS) and
Fellowship (FRPS) and are awarded for three increasing levels of attainment.
The Distinctions are awarded by Council following an assessment of evidence
submitted Panels which are appointed by Council.
These Guidelines relate to the LRPS Distinction in the new
category called Photo Harmony. The ARPS and FRPS Distinctions are not yet
available in this category. The Panel appointed to consider applications in
Photo Harmony is the Audio Visual Panel. Typically, each AV Panel will consist
of six Fellows of The RPS.
These Guidelines should be read in conjunction with The RPS
Distinctions and Qualifications Criteria available as a download from The RPS
website www.rps.org or in booklet form from
the Distinctions Department, The Royal Photographic Society, Fenton House, 122
Wells Road, Bath BA2 3AH Tel: +44(0)1225 325761. The booklet contains essential
requirements about image size and other technical issues as well as advice on
the process to be followed.
2. The Category
The Photo Harmony category is designed to enable applicants to demonstrate their skills in the production and visual progression of images linked to sound. No words or story with a specific beginning, middle and ending is required. The emphasis is on matching the images with appropriate transitions and harmonising them with the sound.
As in other
Distinctions Categories, The RPS expects that the applicant will have done the
major part of the work and will disclose any work done by others.
Details
concerning the use of copyright music recordings and of Sound Copyright
Licences are available at a discount to RPS members from the Institute of
Amateur Cinematographers at musicadvice@theiac.org.uk
or www.theiac.org.uk.
The IAC can also be contacted at admin@iac.org.uk or on 01372 822812.
Applicants should note that unauthorised use of copyright recordings can make them
liable to legal proceedings.
3. The
Standard
There should be evidence in the photography
of sound artistic and technical skills. The selection, quality and sympathetic
progression of the images is the prime factor being assessed; the appropriateness
and recording quality of the soundtrack will also be taken into account.
Evidence of a developing personal style is desirable.
Applicants are strongly
encouraged to attend at least one Distinctions Assessment Day or
Distinctions Advisory Day before making a submission for an RPS Distinction.
They are also advised to seek feedback on their draft submissions from AV Panel
members through the Chairman of the Panel.
4. Techniques
The purpose of
this category is to display a set of images which harmonise with each other and
with the sound used. The sequence should be constructed so that images progress
harmoniously in terms of colour or tone and graphic design. The category is not
designed to display images which may be excellent when considered individually
but which fail to harmonise with each other and with the sound chosen .It is
the norm that the sound and the images start and finish together. Where music
is used, it is recommended that the original ending of the music is preserved
rather than an arbitrary fade-out.
As with all
techniques, digital manipulation can easily be overdone and result in an effect
counter-productive to the author’s intentions. Such modifications should be
well matched to the overall concept being communicated by the images.
5.
Licentiateship Requirements
The evidence
should take the form of one or more series of images matched to sound. The
total submission should consist of not less than 40 images and a running time
of between six and nine minutes.
18 May 2006